‘Lady Bird’ Review

Greta Gerwig has previously proved herself as an actor and writer, and now she adds director (Academy-award nominated, I might add) to her skillset. With Lady Bird, she infuses a beautifully observed tale of teenagehood with such heart and humour; it’s hard not to find yourself falling for it. We encounter the titular Lady Bird…

‘Phantom Thread’ Review

The latest from Paul Thomas Anderson is hard to categorise. Yes, it is a period piece, it is a romance, but it is also, in some sense, a comedy of psychological games that eventually pushes its characters to the verge of absurdity. It is an entrancing and intriguing piece, prepared to challenge its audience. Set…

‘Three Billboards Outside Ebbing, Missouri’ Review

Playwright-turned-filmmaker Martin McDonaugh’s work is characterised by its pairing of darkly comic sensibilities with crime led drama, and he continues that thread here. Three Billboards is an astonishing film whose story is derived from a tragic event, yet the film manages to be equally laugh-out-loud hilarious, and utterly heartbreaking. Seven months on from the rape…

‘The Post’ Review

Spielberg. Hanks. Streep. A story about freedom of the press and women in the workplace. This is a film with high expectations, and high expectations that needed to be met. Thankfully (and predictably), The Post delivers in spades. The film details The Washington Post’s involvement in the leaking of the ‘Pentagon Papers’ in 1971. The…

‘Darkest Hour’ Review

In the latest film involving the events at Dunkirk, Joe Wright’s drama chronicling Winston Churchill’s first few weeks as Prime Minister uses an elevated pace to craft a film that frequently grips, but sometimes falters. The film begins with the decision to select Churchill (Gary Oldman) as the new prime minister, following a vote of…

‘Call Me By Your Name’ Review

Following the gloriously electric A Bigger Splash from 2015, Luca Guadagnino’s intoxicating style returns to the screen with this adaptation of André Aciman’s novel, but in a much more restrained and melancholic manner, to produce one of the most authentic and touching romances of recent years. Set ‘somewhere in Northern Italy’ in 1983, the film…

‘Dunkirk’ Review

One of the most highly anticipated films of the year, from one of the most innovative and beloved directors around, taking on a vital piece of history; the expectations were sky high. There was so much pressure on this film to blow us away that if it didn’t even quite reach those hefty heights, it…

‘Get Out’ Review

Jordan Peele’s directorial debut is a phenomenally original horror-comedy that carries a very real political commentary and message about our society. The film details Chris’ (Daniel Kaluuya) first visit to his girlfriend Rose’s (Allison Williams) parents’ home. Initially weary of how the white family may react to their daughter bringing home a black boyfriend, he…