‘Springsteen: Deliver Me From Nowhere’ Review

Springsteen finally joins his iconic peers in getting the biopic treatment and, to its credit, Deliver Me from Nowhere decides to take a less common approach to the genre. It is an admirable effort but doesn’t dive deep enough to justify itself. The film chronicles the making of Springsteen’s (Jeremy Allen White) album Nebraska, a decidedly unusual left…

‘After the Hunt’ Review

After an incredible run of films of the calibre and ilk seldom seen, Luca Guadagnino returns with After the Hunt, which arrived with a provocative premise, stellar cast and a presumed great directorial match, but faded quickly into one of the year’s biggest disappointments. The film centres itself on Alma (Julia Roberts), a philosophy professor at…

‘Roofman’ Review

The comedic trailers and posters for Roofman make it seem like a stark departure from Derek Cianfrance’s tragedy-skewing filmography, but don’t be fooled. The emotion of Roofman sneaks up on you; for all the feel-good fun, when the rug gets pulled out from under these characters, you’ll find Cianfrance’s capacity to twist your heartstrings is…

‘Is This Thing On?’ Review (LFF)

Bradley Cooper returns to the director’s chair with a smaller-scale story than his previous outings and he further proves his directorial prowess with this perfectly-formed, hilarious and tender relationship study. The kind of adult comedy-drama that feels as though it is from a bygone age, Is This Thing On? is a beautifully crafted breath of fresh air.…

‘Hamnet’ Review (LFF)

Arriving on the heels of breathless praise from the North American festivals, I was lucky enough to attend the gala premiere of Hamnet at the London Film Festival. Expectations were high, as was the buzz inside Royal Festival Hall, and the film delivered in full force with its audience left emotionally devastated yet bursting full of life.…

‘Deadpool 2’ Review

The Merc with a Mouth is back, with all of the trademark wit, crudity and fourth-wall breaking self-awareness that we know and love, but with one crucial difference. This film doesn’t enter the multiplexes as the cunning underdog hoping to connect; it comes with a raging fire of fans and expectations, and with a considerably…

‘Tully’ Review

The award-winning team behind Juno and Young Adult have returned to give us another intimate glimpse into a time in a woman’s life: motherhood. In Tully, Jason Reitman and Diablo Cody have crafted a tender yet seemingly brutally honest account of the trials and tribulations that come with having small children in a character study that lends…

‘Thoroughbreds’ Review

*This is a modified repost of my LFF review* One of my favourite films of last year (and probably ever), Thoroughbreds is finally in cinemas. It is a deliciously dark and witty tale that eases in and out of thriller territory to provide an engrossing and unpredictable experience. Set in a wealthy area of Connecticut, the…

‘A Quiet Place’ Review

The horror genre can generally be quite hit or miss. A lot are scary enough for an entertaining ride, coasting on jump scares and lazy plotting, many are completely terrible, but some are absolute gems that rise above the aim of purely scaring their audience, to provide an engrossing and satisfying experience (and, of course,…

‘Unsane’ Review

Steven Soderbergh’s second film post-retirement could not be more different from his first. A filmmaker who has proven himself wildly versatile, he follows up last year’s quirky comedy, Logan Lucky, with a remarkably effective, and deeply disturbing psychological thriller. It revolves around questions of trust and feelings of paranoia which add up to a very…